APOPHIS

(2012 - 2013) for orchestra
Duration: 8'
2(2+picc).2.2(2+E-flat cl.).2/4.2.3.0/timp.4perc.hp.pno.strings

Program Note

        N.A.S.A. experienced a brief period of consternation in December 2004 when scientists discovered a half-mile wide asteroid on what was then thought to be a collision course with Earth. They named the asteroid “Apophis” after the mythological enemy of the Egyptian sun-god Ra. While N.A.S.A. has since reneged on their prediction that Apophis would collide with our planet within the next 30 years, the possibility of total annihilation still looms over our heads in some way.

        I do not often use doom and gloom as inspiration for my music, but when I heard Stephen Hawking recount this harrowing tale on an episode of his Discovery channel miniseries “Into the Universe,” I could not help but conjure a musical reaction in my mind’s ear. The resulting piece is this eight-minute tour-de-force for orchestra in a moto perpetuo style, as the asteroid comes barreling toward its celestial target with immeasurable force.

        In an act of artistic denial of this hopeless scenario, I dared to search for hidden joy. Perhaps there is a silver lining to knowing that everyone on the planet will suffer the same fate at the same time, together as one human race. If we all received the grim news that there will be no tomorrow for anyone, would there be any time for slander, for injustice, for war?

        I would never wish such a dreadful nightmare to come true, and I am happy that N.A.S.A. withdrew their eschatological prediction. However, in a moment of dark imagination, I chose to musically illustrate a global killer hurdling toward Earth, while humanity sings rising melodies in defiance of the force of nature that will never break its spirit. ~KpR

     APOPHIS was the recipient of the Audience Award at the 2014 Underwood New Music Readings. 

Please like, follow, & subscribe:

  • White Facebook Icon
  • White Twitter Icon
  • White SoundCloud Icon
  • White YouTube Icon

© 2020 by Kyle Peter Rotolo. All rights reserved.